Unvollständige Royalty-Erfassung und Reporting-Lücken
Definition
GEMA's 1998 PRO extrapolation system created severe allocation distortions: oft-played but seldom-reported works became more expensive during settlement, while self-performed works with near-100% reporting received disproportionate payouts. Dance bands and solo entertainers performing standard repertoire rarely file playlists, causing their royalty-generating performances to disappear from the allocation base.
Key Findings
- Financial Impact: Documented case: 'drastic deficits for a portion of members' (1998 onwards); estimated ongoing loss: 5-15% of performance royalties go unallocated due to incomplete reporting
- Frequency: Continuous; affects every monthly/quarterly royalty cycle
- Root Cause: Voluntary performer reporting + complex points-based allocation system + no real-time performance tracking
Why This Matters
This pain point represents a significant opportunity for B2B solutions targeting Artists and Writers.
Affected Stakeholders
Composers, Lyricists, Music Publishers, Performing Artists, Independent Musicians
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Financial Impact
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Current Workarounds
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Methodology & Sources
Data collected via OSINT from regulatory filings, industry audits, and verified case studies.
Evidence Sources:
Related Business Risks
Verzögerte internationale Royalty-Weitergabe durch CMO-Netzwerk
Mehrere Verwertungsgesellschaften Management und Compliance-Burden
Fehlerhaft berechnete Royalty-Anteile durch manuelle Klassifikation (U-Musik vs. E-Musik)
Unbewiesene Autorschaft bei Rechtsstreitigkeiten um Urheberrechte
Unnötige Ausgaben für optionale Registrierungsdienste
Unzureichende Dokumentation von Mitautorenschaft bei kollaborativen Werken
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