🇦🇺Australia

Lizenz- und Vertragsverstöße bei mechanischen Rechten

3 verified sources

Definition

Mechanical royalties are paid on the physical or digital copy of a recorded song, owed by record labels or anyone releasing an album or digital product that reproduces the composition.[8] In Australia, APRA AMCOS/AMCOS license mechanical rights for reproductions such as CDs, vinyl, downloads, and digital streams.[3][6][8] If a label reproduces or distributes works without an appropriate mechanical licence or under‑reports units/streams, this constitutes copyright infringement under the Copyright Act 1968 (Cth). Rights‑holders can demand unpaid mechanical royalties, damages, and legal costs. LOGIC: Australian copyright cases involving unauthorised reproduction commonly result in negotiated settlements or court‑ordered payments that include back‑royalties plus legal costs easily exceeding AUD 50,000 per dispute, and potentially several hundred thousand dollars where catalogue‑scale under‑licensing is uncovered. Manual royalty tracking and lack of centralised licence registers increase the risk of such non‑compliance.

Key Findings

  • Financial Impact: Quantified (Logic): Typical exposure of AUD 50,000–500,000 per infringement/under‑licensing matter when combining back‑royalties, legal fees, and potential damages or settlement amounts.
  • Frequency: Low to medium frequency but high‑severity; arises when catalogues are acquired, works are used without clear chain of title, or when audits uncover systematic under‑reporting.
  • Root Cause: Absence of a central system linking sound recordings to underlying composition rights and licence status; manual handling of mechanical licensing with AMCOS; inconsistent reporting of reproduction quantities or streams; and lack of internal audit of royalty statements and licence obligations.[3][6][8]

Why This Matters

The Pitch: Australian 🇦🇺 labels and distributors risk AUD 50,000–500,000+ per infringement matter in back‑royalties, legal fees, and settlements when mechanical licences are mishandled. Automating licence checks, usage reporting, and contract controls minimizes these exposures.

Affected Stakeholders

Label Owner and Directors, Head of Legal / In‑house Counsel, Royalty & Licensing Manager, Finance Manager, Music Publisher

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Financial Impact

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Methodology & Sources

Data collected via OSINT from regulatory filings, industry audits, and verified case studies.

Evidence Sources:

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