🇦🇺Australia

Verzögerter Zahlungseingang bei mechanischen Tantiemen

2 verified sources

Definition

APRA AMCOS states that AMCOS processes mechanical royalties quarterly and pays all amounts over AUD 10 within 60 days after the end of each calendar quarter.[7] This structure means a lag of up to 5 months between usage and domestic payout. Mechanical royalties from overseas societies can take significantly longer, as they flow through foreign collection cycles before being forwarded to APRA AMCOS and then on to members.[3][7] For labels and publishers reliant on this income to fund advances, marketing, or production, this lag extends Days‑Sales‑Outstanding (DSO) and can force the business to use overdrafts or other credit. LOGIC: For an Australian independent label with AUD 1–3 million of annual mechanical royalty revenue (domestic and foreign), a structural delay of 4–6 months equates to AUD 330,000–1,500,000 of cash locked in receivables at any time. At a 7–10% cost of capital, this implies AUD 23,000–150,000 per year in financing cost or lost interest.

Key Findings

  • Financial Impact: Quantified (Logic): 4–6 months of mechanical royalties outstanding as receivables (AUD 330,000–1,500,000 for typical mid‑sized players), producing AUD 23,000–150,000 per year in interest/financing cost at 7–10% cost of capital.
  • Frequency: Structural and recurring every quarter; exacerbated when foreign societies delay or correct prior distributions.
  • Root Cause: Quarterly settlement cycles at AMCOS, additional lags for international collections, manual dispute management when statements are queried, and weak internal forecasting of expected mechanicals leading to reactive rather than planned cash management.[3][7]

Why This Matters

The Pitch: Australian 🇦🇺 sound recording and publishing businesses routinely carry 3–9 months of mechanical royalties as receivables, tying up AUD 100,000–1,000,000+ in working capital. Automation of accruals, forecasting, and dispute tracking shortens time‑to‑cash and reduces financing costs.

Affected Stakeholders

CFO / Finance Director, Royalty Manager, Label Owner, Music Publisher, Treasury/Finance Analyst

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Methodology & Sources

Data collected via OSINT from regulatory filings, industry audits, and verified case studies.

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